I am keyboardist Dave Latchaw. I spend most of my time as an independent recording artist, music educator, student, and fan of the fusing of jazz, rock, world, and classical music. Latch Music is where I promote my solo piano and keyboard CD's, mp3's, free streaming internet radio, podcasts, music blog, ezine with music reviews, articles and interviews with indie recording artists and more. - (Read more)

"Guido Santoni is a music impressionist, he cannot and should not be classified or limited to any genre,rnperfectioned his technique, Guido's concerts has become precious unrepeatable events.rnThe piano is an instrument where Guido composes his journey into the depth of human's soul, a journey open to all those people who are still ready to discover uncontaminated atmospheres."

A passion for making music and sharing the experience with good friends was the impetus that began the regular studio-based jam-sessions that evolved into Jam Camp. From a fluid line-up of awesome NW musicians, a stable and startlingly original ensemble emerged and was officially dubbed Jam Camp in 1989. This is a band that creates musician's music: fusionesque rock improv in the vein of The Allman Brothers, Zappa, Crimson, Soft Machine, Brand X and Traffic. Jam Camp grooves, embracing a "live" feel-based approach to music appealling to fans of Prog, Rock, Jazz and Jam alike. The real thing - "Super Session" magic like you used to hear when rock experimentation was mainstream fare. - (Read more)

Natasha began her musical career as a classical violinist, serving as a concertmaster for a symphony in the Midwest and founding her own string ensemble, "The Sapphire String Quartet." She moved to the San Francisco Bay Area in 1995 and began composing and performing songs, accompanying herself on the guitar and piano. Charged with the passion for singing jazz standards with her pianist father, she began performing for private events, parties, and concerts and festivals, enlarging her band and mixing jazz tunes with her own pop/rock compositions. She spent her days working in the advertising industry and her evenings cultivating her performing career. In 2001, Natasha was a single mother working as a media buyer in an ad agency, making a yearly salary in the high fives when she decided she should quit her job to pursue her musical dream. She left her comfortable 3-bedroom home and moved with her 8-year-old daughter to a small one-bedroom apartment—just in case she didn't make enough money that first year. Since then, she’s never looked back. In the beginning, she often performed up to 5 times a week in the evenings and on weekends. In 2002, Natasha produced her first album—a collection of her own work called Her Life, and later that year, her first jazz album, Talk to Me Nice. In Talk to Me Nice, she flirts with “Peel Me A Grape” and “Makin’ Whoopee,” swings through “Stompin’ at the Savoy,” and creates an intimate yet ironic dialogue with personal tragedy in “Good Morning Heartache.” “Call these standards if you must,” a fan writes, “but there’s nothing standard about the way Miller brings these jazz treasures to life.” - (Read more)

With a dedication to musical excellence, Solstice Coil is a band that's always under an ongoing transformation. Traveling smoothly between the boundaries of emotional expression and calculated composition, their music is a balanced hybrid of alternative and progressive rock. Combining wide range dramatic vocals with solid guitar riffs alongside multi-layered arrangements and sophisticated rhythms, Solstice Coil's commitment is to inventive quality songwriting by constantly discovering ways to fuse different and unanticipated musical influences together. Formed at the dawn of 2001 by the songwriting team of Shir Deutch and Opher Vishnia, along with keyboardist / producer Shai Yallin, Solstice Coil first broke into the consciousness of the Israeli music scene by touring the country as a Radiohead and Muse cover band, working with various bass players and drummer Uri Goldberg, while perfecting their own material behind the scenes. - (Read more)