Harvey Danger is a rock band that formed in Seattle, Washington in 1992, and rose to prominence in 1998 with the single "Flagpole Sitta". The band released a new album in 2005, Little by Little..., after the five-year hiatus that followed the release of their sophomore album, King James Version.

Originally conceived in 1999, the group of five self-taught musicians soon evolved into its current embodiment as Hidria Spacefolk and having already seven releases in their catalogue. The outfit has performed over 200 shows in Finland as well as toured in the Netherlands and Denmark. Probably the most important gig to date was their widely acclaimed performance at North America's biggest progressive music festival, NEARfest 2004. The show went so well that NEARfest records released it as a CD, Live Eleven a.m. 2005-2006 the band continued gigging in europe and russia (Budapest, Moscow etc.) and recorded in 2006 the next studio album, which was released in march 2007 called Symetria. The same year may came out also the second live album, Live at Heart, recorded at Burg-Herzberg festival in june 2006 in front of thousands of music lovers. The band is at the moment making new tricks for the future and based on the axel Somero-Helsinki-Berlin.. Hidria Spacefolk's high-energy live performance is enhanced with a psychedelic video show that'll turn any venue into a mind-blowing cosmic spaceship - and make no mistake: this ship knows how to party! One of these days they may be landing in your town! - (Read more)

HIRAX began in Los Angeles in 1984, but because of the weak metal scene in their area, they spent most of their time playing in San Francisco along with Slayer, Metallica, and Exodus, who were all part of the exciting new metal emerging from the Bay area. The original lineup was Katon W. De Pena (vocals), Bob Savage (guitar), Gary Monardo (bass), and Brian Keith (drums). They released a four-song demo in 1984. Their songs at the time were more similar to the metal bands such as Saxon, Tygers of Pan Tang, Judas Priest, Iron Maiden and the New Wave Of British Heavy Metal period. This demo was widely circulated and the band became known and respected worldwide through the metal tape trading underground. Later in '84, guitarist Scott Owen and drummer John Tabares replaced Savage and Keith. Influenced by such great acts as Motorhead, Anvil, and Venom, Vocalist De Pena wanted the band to go in a heavier and faster direction musically; and HIRAX's thrash metal style was born. Because of their notoriety in the underground, HIRAX were signed to Metal Blade Records and contributed a track to the legendary compilation "Metal Massacre VI," which also featured Slayer, Voivod, Celtic Frost, Fates Warning, Metal Church, and Trouble. HIRAX contributed the track "Bombs of Death, which was the first song recorded with the new line-up. The bands on the "Metal Massacre VI" compilation were at the forefront of a new metal movement and the record sold well. "HIRAX, along with label mates Trouble, Slayer, Celtic Frost, Voivod, Destruction, and Possessed, helped start something very, very important that has lasted the test of time," said vocalist Katon W. De Pena. In 1985, HIRAX contributed the track Destruction And Terror for the compilation "Angelican Scrape Attic" 7 flexi disc, which was Earache Records first release. They were the only U.S. band featured on the limited edition compilation. HIRAX were gaining fans at a rapid pace. - (Read more)

With the rich, bluesy vocals of Darius Rucker and gleeful harmonies of guitarist Mark Bryan, bassist Dean Felber and drummer Jim "Soni" Sonefeld, Hootie & the Blowfish, sold over 25 million records world wide after their infectious melodies hit the airwaves in 1994 with hits such as "Hold My Hand", "Let Her Cry" and "Only Wanna Be With You." One of the biggest misconceptions to most people is that Hootie & The Blowfish became an overnight success in 1994 when their debut album Cracked Rear View, moved over 16 million copies (and counting) in the U. S. alone. What most people don't know was that the album's triumph came after a decade of hard work. The quartet met when they were freshman at the University of South Carolina in Columbia. Mark Bryan heard Darius Rucker singing in the showers of the dorm they shared and was impressed by his vocal ability. Bryan and Rucker began playing cover tunes as The Wolf Brothers; eventually Bryan and Rucker hooked up with Felber, a former high school band mate of Bryan's, and Jim "Soni" Sonefeld as Hootie & The Blowfish. (The unlikely moniker was borrowed from the nicknames of two college friends.) By the time they graduated, endless gigs at frat parties and local bars had built a major local buzz. "We'd started adding original material to our repertoire," Bryan recalled. "Our songs went over well, so we decided to see if we could make a career out of it. Even if we hadn't had a hit, I know we'd still be making music today, because it's exactly what we want to be doing." T - (Read more)

While many of us learned of Iron and Wine by way of Sam Beam’s tender and spare rendering of The Postal Service’s “Such Great Heights” on the Garden State soundtrack, those who dug deeper discovered a classic American tunesmith with a precocious musical signature. - (Read more)